This is a listing for one (1)Rare Hall’s Simplex Hektograph Black Ink. So charming! A great addition to your Black and White antique transfer pieces. Maling Stamp 425 on base.
Hektograph and Spirit Duplicators
The stencil copying systems described above involved pressing or extruding ink through stencils onto sheets of paper. In the hektograph (also spelled “hectograph”) process, which was introduced in 1876 or shortly before, a master was written or typed with a special aniline ink. The master was then placed face down on a tray containing gelatin and pressed gently for a minute or two, with the result that most of the ink transferred to the surface of the gelatin. Gelatin was used because its moisture kept the ink from drying. Copies were made by using a roller to press blank papers onto the gelatin. Each time a copy was made, some ink was removed from the gelatin, and consequently successive copies were progressively lighter. In practice, up to fifty copies could be made from one master. Plate 33 is an 1876 ad for J. R. Holcomb & Co.’s Transfer Tablet hektograph. Plate 33B shows another hektograph, Lawton & Co.’s Simplex Printer, which was introduced by a predecessor company, General Copying Apparatus Co., by 1889. The Simplex was $3 to $29.50, depending on size. Yates (p. 122) reports that “By 1885 the [Illinois Central Railroad] Freight Office’s need for a neat alternative to printing had led it to adopt…the hectograph….Using a hectograph in the Freight Office, rather than sending the rate circulars to be printed, was faster as well as cheaper. And although the hectograph duplicating process itself was messy, the final products were neater and more readable than those produced with the Edison Electric Pen.” An 1887 ad stated that a hektograph could be used to make 15 to 40 good copies of a letter typed on a Hall index typewriter. Hektograph copiers were still marketed by the Heyer Hektograph Co. (founded 1903) in the 1950s.
Each of these pots were handmade between 1860 and 1920 to store prize winning Marmalade. This particular size is an extremely rare variety not usually found in the United States.
This pot was curated during my travels to English Antique Markets while visiting my daughter and her family in London.
The images attached are for the pot you will receive. I have other pots listed if you prefer less aged patina.
Most pots have some level of crazing , may have spots of discoloration, light hairline cracks and minor chips and fleabites that only add to its character and do not detract from its display value. These are expected due to age, use and let’s not forget they were often buried for decades before being dug up and rescued.
Perfect to store pens, flatware, paintbrushes, candles, cotton balls, plants or anything you can imagine.
I offer substantial savings in shipping costs when multiple items are combined into one package. I work hard to find the most economical shipping options available by checking multiple discount carriers.
I will credit any overpayment of postage charged to you after finding the best shipping option. I check both ParcelMonkey.com and Shipgooder.com for the most economical delivery to save you shipping dollars. These companies negotiate better rates with USPS, Fed Ex and UPS than individuals can on their own.